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So, take a stroll down memory lane to remember all of our past Word of the Year selections. Introduction The Study of Greek Sculpture: Some Background Damage to Greek Statues Chronology and Identification of Greek Sculptures The Value Placed on Sculpture By the Greeks The Most Precious Sculptural Materials in Ancient Greece Painting of Greek Sculpture The Disappearance of Original Greek Sculptures Types of Sculpture in Ancient Greece: Statues and Reliefs Art and Craftsmanship Sculptural Commissions The Social Rank of Sculptors Training of Sculptors How Statues Were Used Religious Purpose of Greek Statuary Sculpture Commissioned as Votive Offerings Introduction With the architecture of many antique civilizations reduced to ruins and their painting lost without trace, sculpture, particularly Greek sculpture, has assumed a position as the predominant form of ancient art.And whereas buildings that have survived reasonably intact are few and far between, and major paintings have virtually disappeared, works of sculpture have been preserved in vast numbers.
Secondly, there are many texts concerning sculpture and sculptors, some literary, and some in the form of inscriptions: particularly lists of wages paid. who wrote at length on Greek statuary in bronze and marble, there are no continuous histories of Classical sculpture.In the history of sculpture, the art of Classical antiquity - beginning with Aegean art - is vitally important.It still determines our definition of what sculpture is, our present-day techniques are derived from it, and it still serves as a point of reference for the use we make of art and the value we ascribe to it.Daedalic Style Sculpture (c.650-600 BCE) Archaic Sculpture (c.600-480 BCE) Archaic Greek Painting (c.600-480) Early Classical Greek Sculpture (c.480-450 BCE) High Classical Greek Sculpture (c.450-400 BCE) Late Classical Greek Sculpture (c.400-323 BCE) Classical Greek Painting (c.480-323 BCE) Helenistic Sculpture (c.323-27 BCE) Hellenistic Style Statues and Reliefs (c.323-27 BCE) Greek Painting of the Hellenistic Period (c.323-27 BCE)The Study of Greek Sculpture: Some Background Since the 18th century, Greek sculpture has been the object of something akin to idolatry, and only recently have we been able to put it more in context.This is not to say that sculpture was the only form of Greek art generally appreciated, but the widespread success of books by Johann Joachim Winckelmann (1717-68), followed in 1700 by that of Lessing's Laocoon, with its extensive theorization of the famous Vatican group, Laocoon and His Sons (42-20 BCE), served to focus interest on sculpture.