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He was court painter and official portraitist for the final 30 years of his life.

The portraits he painted during his later years have become his legacy in the history of art.

His brushstrokes appear non-existent, which gives his work the extremely realistic, almost life-like appearance, especially in his portraits.

He took special care when painting the elaborate garments worn by the Medici family in his portraits and often, the grand clothing and patterns would appear as characters unto themselves, dominating the portrait.

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His portraits capture the arrogance of high society that became en vogue during the 16th century.

However, the common sentiment among art critics is that Bronzino lacked the passion to accomplish great religious works like his teacher.

Although his technique was good, his religious paintings often appeared bland and lacking in emotion.

Many of them were also laced with moral implications.

Bronzino's painting technique is extremely controlled and meticulous.

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    He got into fights because that was the only way he was taught to resolve conflict.