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Dammar varnish does yellow and crack, as all varnishes do, but less so than others.

Some of these terms, signaled by an icon of the Vermeer's monogram and signature, are also discussed as they relate to specifically Vermeer's art.

The promotion of the fine arts over the decorative in European thought can largely be traced to the Renaissance, when Italian theorists such as Giorgio Vasari (1511–1574) promoted artistic values, exemplified by the artists of the High Renaissance, that placed little value on the cost of materials or the amount of skilled work required to produce a work, but instead valued artistic imagination and the individual touch of the hand of a supremely gifted master such as Michelangelo (1475–1564), Raphael (1483–1520) or Leonardo da Vinci (1452–1519), reviving to some extent the approach of antiquity.

Most European art during prior to this period had been produced under a very different set of values, where both expensive materials and virtuoso displays in difficult techniques were highly valued.

The darkest parts are all painted with the same semi-transparent dark gray pigment, most likely a mixture of raw umber and black.

Here and there on the carpet's fore side we may observe the initial accents of local color.

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